Han notes that he likes to think of his compositions as
visual analogies to a string quartet in which individual elements –
line, hue, color, or texture – are allowed to dominate or recede in
the interests of the larger effect.
Images hover above or below the surface, present and absent
at the same time. Through such devices, Han manages to express
the sense of New York City as an amalgamation of fleeting sights, sounds,
and ever-changing energy.” -Eleanor Heartney