“Han notes that he likes to think of his compositions as visual analogies to a string quartet in which individual elements – line, hue, color, or texture – are allowed to dominate or recede in the interests of the larger effect.
Images hover above or below the surface, present and absent at the same time. Through such devices, Han manages to express
the sense of New York City as an amalgamation of fleeting sights, sounds, and ever-changing energy.” -Eleanor Heartney